‘Moon Knight’ Review: Marvel, Oscar Isaac and Identity Issues

The hero of the new Marvel Comics series, “Moon Knight,” has a superior costume. It’s a cool, bullet-absorbing white suit with a billowing cape and eyeholes that shine like milky spotlights. It makes him look like a luminescent Batman. And he refuses to wear it.

His wife, who has an abundance of common sense and very little patience, yells at him: “Summon the suit! Summon the suit!” But he just dithers or pouts or stares at her blankly while the bad guys close in.

There could be a lot of things behind this costume avoidance, including a general move in Marvel’s television shows away from superhero business-as-usual and toward something with a little more, if you’ll excuse the phrase, psychological realism.

With “Moon Knight,” which premieres Wednesday on Disney+, it also has to do with concept and casting. The show features a relatively minor Marvel hero, created in the 1970s, whose defining character trait is what is now known as dissociative identity disorder. In the four episodes (of six) available for review, he is most often Steven Grant, a mild-mannered clerk at the British Museum gift shop, and occasionally Marc Spector, a deadly former mercenary and earthly avatar of a justice-seeking Egyptian god.

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